Also, her actions protect the state, as she prevents a wrongful king coming to power by refusing to remarry immediately, after her husband is suspected to be dead. Interestingly enough, Penelope manifests her supreme value of loyalty through her use of mendacity, as she unweaves her web every night. Penelope, at the beginning of the epic poem the "Odyssey," has promised the suitors demanding her hand in marriage and leadership over her husband's kingdom, that she will chose one of them only after she finishes weaving her piecework -- hence her nightly undoing of her weaving. Eventually, this ruse is discovered, but the cleverness that Penelope's lies demonstrate, as well as the lies her husband frequently tells to extricate himself from many an escapade over the course of the "Odyssey," that honesty for no purpose was not a value held high by the ancient Greeks. Cleverness was better than honesty. Indeed, Antigone's honesty does not spare her life, and she is cruelly honest in public to her sister, who attempts to take credit for the illegal burial, even though the other girl had no part of it. Humility thus, in the face of the gods is valued, and to a lesser extent that of the state, but honesty was not. In the Greek system of values, there...
But valor must also supported by a real and lasting loyalty to an organization of family or military and political authority of legitimacy, thus valor alone or valor and honesty shown to an unbalanced system of values, as in "Antigone" brings death to he or she who would arrogantly brandish it in public as an individual virtue.
Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the
Antigone is the last play in the Oedipus cycle written by Sophocles. In the play, Antigone, the Oedipus's sister-daughter challenges her uncle, Creon, who has ascended the Theban throne after he brothers, Polyneices and Eteocles, are killed in battle. In the play, Antigone defies Creon's mandate that Polyneices should not be granted a proper burial because he is an traitor and an enemy of the state. Because of her opposing
Antigone: A clash of state and personal values Sophocles' drama Antigone unfolds the tale of the tragic daughter of Oedipus Rex. At the beginning of the play Antigone is the bereft sister of two dead brothers who died fighting in the Theban civil war. Creon gives the brother (Eteocles) who defended the city's current leadership a hero's burial while leaves the other brother (Polyneices) to rot in the streets, exposed to
As a character, Creon is almost and inverse of Antigone, because his concern for his own authority trumps his love for his own family, as he all but disowns his son Haemon for the latter's support of Antigone. As these flaws are the most important elements of characterization in terms of the plot, they essentially define the characters even in spite of the interior emotional lives hinted at within
Thus, the nobility of Antigone's character lies in her reluctance to condemn her sister, whereas her tragic flaw lies in her fanatical devotion to the men in her family, to the point that she wishes to lie with her brother's corpse. Antigone's fall comes when she is caught burying Polyneices' corpse, and the fact that her subservience to patriarchy is the precise reason for this fall is revealed in Creon's
Antigone What is fate, and what is free will? In Sophocles' play Antigone, both fate and free will are important in determining the outcome of the play. Fate is presented as something that the gods determine. It is the destiny of human beings, and something that people have no control over. No matter how hard a person like Antigone or Creon tries to fight fate, their lives are not entirely our
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